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This striking piece is a masterclass in contrast—structural yet supple, bold yet intricate. Woven in the complex weft-wrapping technique characteristic of the Soumak tradition, it showcases a dynamic interplay of serrated medallions, latch-hook forms, and meandering vine motifs and stylized fauna.

Late 19th Century Soumak Rug - 6’6 x 9’11

This rare and expressive Kurdish wagireh—or sampler rug—is a visual archive of design. Woven not for the market but as a reference tool, wagireh offered master weavers a compact way to preserve and transmit important elements of a pattern. Lush florals, scrolling vinery, and medallion fragments bloom in bold juxtaposition, floating across an asymmetrical field divided by tone and structure. The field’s deep indigo ground plays host to densely branched flowerheads and palmettes, while a large-scale ivory car

Vintage Kurdish Sampler - 4’2 x 6’9

This Sarouk was handwoven during the middle of the 20th century.

The composition is composed of various weeping willows and floral bouquets in a pleasing palette of blues, reds and pinks on a pale yellow ground. This patterning is uncharacteristic of Sarouk weaving and more commonly associated with Kashan. Nicely framed by a distinctive red and yellow dual ground interlock border.

Unusual Mid Century Weeping Willow Sarouk Rug - 6’3 x 10’1

This Lilihan rug was handwoven by Armenians during the second quarter of the 20th century.

It utilizes graphic floral patterning with an Art Deco feel. Rendered in lively blues, greens, and red with brown and gold on a coral ground. A central focal point blends seamlessly into the repeat field pattern. Framed by a meandering border on a red clay ground.

All Over Lilihan Rug - 5’5 x 6’5

baluch The field design is composed of alternating rows of botehs that aligned on the diagonal on a camel ground. The botehs are big and plump in contrasting tones of purples, blues and pinks including an early synthetic hot pink that isn't for Baluch purists but adds some visual interest for the rest of us! Finished on both ends with original interlocking lightning bolt kilims.

Camel Boteh Baluch Rug - 3’1 x 5'7

Karadagh It features a series of nested medallions that march down a rich abrashed indigo field. The medallions are rendered in blues, green, red, apricot and aubergine with geometric symbols and figures filling out the negative space. The pile is low and of lush high quality wool.

Antique Karadagh Runner - 3’3 x 12’9

This Tekke main rug was handwoven during the first quarter of the 20th century in Turkmenistan.

The field features a grid rounded main guls in apricot, indigo, turquoise and ivory on vibrant red ground. The space between the grid is filled with rows of cruciform shaped secondary guls. In a rare square format that allows for very luxurious and open spacing of the guls.

Tekke Turkmen Main Rug - 6’9 x 7'

This Art Deco rug was handwoven in Tientsin, China during the second quarter of the 20th century.

This Deco rug features a central dragon surrounded by additional dragons in each of it's four corners all atop an open golden yellow ground framed by a thick unadorned navy border. The scaly and serpentine dragons come in a variety of tones and are each surrounded by colorful cloudbands which emphasize that they are in flight. In China the dragon is often depicted winglessly flying through clouds. I

Chinese Deco Dragons Rug - 8'10 x 11'6

Sanjabi Kurd features a field of graphic hexagons filled with stylized protection symbols in handsome tones of blues, reds, aubergine and ivory on a deep navy ground. Each pair of hexagons is neatly separated by bands of geometric shapes. Well executed patterning that is very refined for type. Each of the three borders accentuate and balance the tones in the composition. Of particular not is the main ivory ground border which adds just the right amount of brightness

Antique Sanjabi Kurd Rug - 4’3 x 7'1

BK2764-Kashan Kitten rug souf metal thread

Kashan Kitten Rug - 1’1 x 1’2

It features classic patterning associated with the Afshar people of Sirjan. In the center are two latch-hooked medallions on deep navy surrounded by a lacquer-red ground surrounded by a final field of cobalt. Various greens, turqoise, apricot and aubergine contrast wonderfully and accentuate the various Small symbols and figures that fill the negative space. Nicely framed by an ivory main border which brightens the composition.

Sirjan Afshar Rug - 3’11 x 4’9

SANJABI KURD features a field of graphic hexagons filled with stylized protection symbols in rich tones of blues, reds, greens, coral, aubergine, gold, brown and ivory on a lively indigo ground. Each pair of hexagons is separated by bands of geometric shapes added in perfectly imperfect asymmetric fashion giving the composition a dynamic visual rhythm while the vibrant borders add welcomed balance and refinement. If you look closely you will find the inclusion of two camel like figures

Antique Sanjabi Kurd Rug - 5’ x 9’

This Malayer runner was handwoven during the second quarter of 20th century.

This washed out wide runner features a repeat pattern abstracted botehs that blend right into one another on the soft and calming camel ground. Framed by a crisp border of palmettes in caramel, soft blues, earthy reds and burnt orange on a deep navy ground.

Malayer Rug - 6' x 14’8

veramin star rug antique

Antique Veramin Star Rug - 1’1 x 1'6

Luri namkadan saltbag soumak woven face with a pattern of bur-like protection symbols in two rows and on the neck of the bag. The top row breaks off to the left mid symbol while the bottom breaks off to the right mid bur giving the composition the illusion of movement. The pattern is simple yet complex with rich and saturated blues, reds, green, and apricot with chocolate brown and a bright white that really pops. The white is achieved by using cotton and can be seen on back of the bag

Antique "Namakdan" Salt Bag - 1’6 x 1'11

Antique Baluch Balisht - 1’6 x 2'9

Antique Baluch Balisht - 1’6 x 2'9

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