UNDER 1K – Page 19 – HEIRLOOM

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Vibrant and expressive, this Boucherouite rug embodies the joyful spontaneity of Moroccan village weaving. Crafted from recycled textiles, it features two large diamond medallions floating on a coral-pink ground, their layered outlines in blue, charcoal, ivory, and soft yellow creating a lively sense of rhythm and depth. A checkerboard border and flashes of crimson and turquoise add further energy to the composition.

Vintage Moroccan Boucherouite Rug - 3'10 x 4'5

Small Oaxacan Zapotec Weaving - 7" x 1'1

A charming mid–20th century Zapotec weaving from Oaxaca, Mexico, depicting a standing female figure in traditional dress. She wears a wide-brimmed red hat, a white blouse with puffed sleeves, and a striped skirt rendered in earthy tones. Her bold black hair and expressive features are woven with striking clarity, giving the figure a distinctive presence. Metal thread has been utilized in accents of the hat.

Small Oaxacan Zapotec Weaving - 7" x 1'3

A small Zapotec weaving from Oaxaca, Mexico, likely mid–20th century, featuring a boldly stylized dancing figure at center. Rendered with outstretched arms and parted legs, the figure suggests festive movement. It wears a lime-green costume and balances a rainbow-striped headdress, evoking the colorful attire of Oaxacan fiestas and traditional dance ceremonies The figure is framed by a saturated red ground and bordered with narrow horizontal stripes in purple, white, and black. Braided wool fringe finishes

Small Oaxacan Zapotec Weaving - 9" x 1'4

Vintage Turkish Oushak Rug - 4'6 x 7'8

Vintage Turkish Oushak Rug - 4'6 x 7'8

Two early Coptic tapestry-woven fragments, mounted and framed for preservation and display. Darker bands and figural elements emerge subtly from the undyed ground, their forms softened by time yet still remarkably legible.

The left fragment retains a vertical ornamental band with repeating roundels and stylized motifs, while the right preserves portions of figural decoration, likely once part of a larger tunic panel or furnishing textile. The earthy palette and rhythmic geometry are characteristic of Late

Framed Coptic Textile Fragments - 11.5" x 14.5" (framed)

This kilim was handwoven in the Konya–Karapınar region of Central Anatolian during the late 19th century.

A radiant piece with an explosive palette and a beautifully articulated double-medallion composition. The weaver layers crimson, apricot, madder rose, turquoise, soft greens, and ivory into a shimmering, prismatic field. These hues create a depth and warmth that are unmistakably Anatolian.

Antique Konya Kilim - 3’4 x 4’7

This Navajo rug was handwoven during the second quarter of the 20th century.

This Navajo rug features a warm golden fields framed by crisp stepped “arrow” or chevron bands in cream and a soft, muted purple. The alternating bands create a gentle, rhythmic movement across the textile. The palette is uncommon yet harmonious showcasing the beauty of handspun wool and classic Navajo design logic.

Yellow Navajo Rug - 2’10 x 5'4

This compelling Asafo flag presents a figural scene centered on a male figure marked by a tall yellow European-style top hat, a potent symbol of authority, prestige, and colonial-era power within Asafo visual culture. Rendered in hand-cut appliqué on an aged cotton ground, the figure stands in a calm, frontal pose, the exaggerated hat serving as the primary indicator of status and gender rather than naturalistic anatomy.

Worn Asafo Flag - 3'10 x 4'1

This vibrant ceremonial sari exemplifies the Rabari embroidery tradition of Gujarat. Worked on a lustrous silk ground, the field is covered in hand-embroidered satin-stitch dots in jewel tones of magenta, saffron, and ivory, echoing the region’s famed bandhani aesthetic. The richly decorated end panel features dense floral and geometric embroidery in silk floss threads, highlighted with mirror insets, symbolic of protection and celebration within Rabari culture. Such pieces were created as dowry or ceremoni

Embroidered Ceremonial Silk Sari (Rabari People) - 3'1 x 16'6

This intricate and vividly painted thangka illustrates the Bhavachakra or the Wheel of Life which a profound visual teaching on the Buddhist understanding of samsara, the endless cycle of birth, death, and rebirth. At the center, the three poisons of ignorance, attachment, and aversion are symbolized by the pig, rooster, and snake. Surrounding them are the six realms of existence, each finely rendered with remarkable narrative detail and expressive color.

Tibetan Bhavachakra Thangka - 16.5" x 31"

Woven Sketch #4 by Omar Chasan - 1'9 x 4'6

Woven Sketch #4 by Omar Chasan - 1'9 x 4'6

A large Central Asian suzani embroidered with eight bold medallions arranged in a balanced lattice across a warm sand-colored ground. Each circular form centers a vivid raspberry rosette with a small green center, surrounded by finely worked chain stitch that radiates outward in soft tonal rings.

Vintage Suzani - 6'11 x 11'6

A large Central Asian suzani embroidered with eight circular medallions set within a flowing field of scrolling vines. The warm earth-toned ground is animated by soft coral and rose accents, while the surrounding ivory negative space gives the design clarity and movement.

Vintage Suzani - 7'9 x 11'3

A bold and vibrant suzani centered around a large circular medallion radiating outward in layered rings of embroidery. The composition is energized by a rich crimson ground with striking accents of black, golden yellow, and hot pink, creating a dramatic and highly graphic presence.

Vintage Tashkent Suzani - 8'5 x 8'7

A beautifully simple Japanese wrapping cloth in indigo, featuring an allover grid of hand-stitched sashiko. The soft blue ground is animated by rhythmic white stitching, forming a subtle check pattern with corner reinforcements.

Furoshiki (wrapping cloth) with Sashiko Embroidery - 4' x 4'7

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