ALL RUGS - OUR WHOLE COLLECTION – Page 2 – HEIRLOOM

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19th century Kurdish kilim runner from northwest with narrow horizontal stripes in red, ivory, brown, indigo, and green, with fine patterned bands and visible panel seams.

Antique Northwest Kurdish Rug - 4'4 x 12'1

A richly patterned Baluch rug with a dense, all-over field of octagonal guls, each filled with intricate, angular motifs. The repeating geometry creates a rhythmic, almost textile-like surface, framed by multiple borders with stylized elements that echo the structure of the field.

Woven in the late 19th to early 20th century, the palette is grounded in deep madder reds and soft abrashed browns, offset by dark indigo outlines. The dyes have mellowed beautifully over time, giving the rug a warm, cohesive ton

Antique Baluch Rug - 3'10 x 7'2

Mid-20th century Maimana kilim from northern Afghanistan with repeating diamond lattice motifs in red, blue, green, and saffron, framed by multiple geometric borders.

Vintage Maimana Kilim - 6'9 x 10'

At the Dresser, Lin Qiqing - 2'10 x 3'5

At the Dresser, Lin Qiqing - 2'10 x 3'5

A striking Asafo company flag banner featuring a bold rendition of the British Union Jack above a long, tapering textile panel. Constructed from appliquéd and stitched cotton, the design reflects the distinctive visual language of the Asafo military companies of coastal Ghana, where flags served as emblems of identity, rivalry, and power.

Asafo Flag - 1' x 3'9

A striking Asafo company flag banner featuring a bold appliqué Union Jack above a long tapering textile panel. Constructed from hand-sewn cotton, the composition reflects the distinctive visual language of the Asafo military companies of coastal Ghana, where flags functioned as powerful symbols of identity, rivalry, and communal pride.

Asafo Flag - 1' x 4'3

Siapo, the Samoan tradition of bark cloth, is closely tied to ceremony, exchange, and domestic life throughout Polynesia. These cloths were often made in large formats and decorated with repeating geometric designs drawn from natural, architectural, and ancestral forms. The patterning here has a strong architectural rhythm, with bands, rectangles, triangular forms, and dark filled passages arranged across the surface.

Large Bark Cloth (Siapo) - 6'4 x 6'6

A finely painted bark cloth by the Mbuti people of the Democratic Republic of Congo, dating to the mid 20th century. The cloth is decorated with a dense, rhythmic field of linear motifs, geometric divisions, and abstract forms painted in dark pigment across the warm natural bark fiber ground.

Mbuti bark cloths are closely associated with the Ituri Forest, where the visual language of these works is often understood in relation to the surrounding environment. Rather than being read as fixed symbols in a lit

Mounted Mbuti Bark Cloth - 2' x 2'5

A finely drawn Jozan rug with a deep midnight-blue field filled with scrolling vines, palmettes, and delicate floral motifs surrounding a compact central medallion. The lively botanical design unfolds symmetrically across the field, framed by a richly ornamented red border populated with stylized blossoms and curling tendrils.

Mid Century Jozan Rug - 2' x 2'10

A lively Kurdish village rug handwoven during the second quarter of the 20th Century. It features a bold lattice field of hooked geometric motifs set against a deep indigo ground. The drawing is confident yet playful, typical of small tribal weavings from the Kurdish regions.

The borders animate the composition with stylized birds marching around the field. Along the outer border, beautiful abrash shifts from red to glowing orange, creating a soft tonal transition that evokes the warmth of a sunset.

Small Kurdish Rug - 1’9 x 2'

A bold small rug woven in the Heriz region using a classic Karaja design vocabulary. The saturated brick-red field is organized around angular medallion forms and animated geometric motifs with a lively, almost architectural energy. Crisp cobalt blue and ivory accents create strong contrast, while the finely drawn borders frame the field with rhythm and balance.

Karaja Patterned Heriz Rug - 2’8 x 3'8

Large early–mid 20th century American hooked rug (8’8” x 11’10”) with a soft ivory floral field in muted pastels, framed by a bold charcoal border with red and cream scrolling vines; from a New Hampshire collection.

Room Sized Hooked Rug - 8'8 x 11'10

A luminous Chinese Art Deco rug with a spacious ivory field anchored by an asymmetrical flowering tree composition. Soft celadon, coral, blush, and muted gold tones float across the surface, creating an airy, painterly effect against the open ground.

Ivory Chinese Deco - 8'2 x 11'3

antique anatolian kula rug

Antique Kula Rug - 4'10 x 5'3

This finely woven Sarouk exemplifies the lush floral language that made the region’s carpets among the most sought-after of 1920s. Set against a deep midnight-blue ground, an intricate lattice of scrolling vines, palmettes, and rosettes unfolds with remarkable density and clarity, anchored by a subtle central medallion that gives structure to the otherwise allover composition.

Small Sarouk Runner - 2'6 x 4'11

A refined and authoritative example of 1920s Sarouk weaving, well suited to anchoring a room with both elegance and visual richness. It features a dense, symmetrical arrangement of scrolling vines, palmettes, and floral sprays organized around a clearly articulated yet well-blended central medallion. The composition is balanced and expansive, with a sense of movement that carries easily across the larger scale without becoming heavy or overcrowded.

Sarouk Rug - 8'9 x 11'6

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