Free domestic shipping on orders over $250

NEW ARRIVALS

These are the most recent arrivals to our collection

Sign up for our newsletter to get early access

A bright contemporary Oaxacan flatwoven rug by Zapotec weavers from Teotitlán del Valle, Oaxaca. The design features a bold red field with a central stepped diamond medallion, flanked by arrow and diamond borders in blue, yellow, green, turquoise, orange, and red.

Contemporary Oaxacan Zapotec Rug - 1'11 x 3'1

A bright contemporary Oaxacan flatwoven rug by Zapotec weavers from Teotitlán del Valle, Oaxaca. The design features a warm yellow field with a central stepped diamond medallion in turquoise and burgundy, framed by red border bands and deep blue end panels.

Contemporary Oaxacan Rug - 1'11 x 3'3

A finely woven vintage Navajo rug with a crisp geometric composition on a natural ivory field. The design centers on a large serrated diamond medallion built from repeating stepped arrow forms in black, white, brown, yellow, green, and salmon.

Vintage Navajo Rug - 1'10 x 2'9

A richly textured saddle bag from Afghanistan with silky wool, woven in a dark, atmospheric palette of deep brown, black, aubergine, red, and indigo tones. The design is arranged in vertical bands with small geometric motifs, zigzag borders, diamond forms, and subtle embroidered details.

Baluch Saddle Bag - 1'10 x 4'3

A striking Baluch animal trapping, woven in a long, narrow format with its original braided ties still attached. The design is spare and powerful with a dark wool ground animated by a chain of ivory stepped motifs, small flashes of madder red, and compact end panels with orange and ivory geometric borders.

Striking Baluch Trapping - 5" x 7'3

A handsome Baluch trapping with a long, graphic format and a deeply saturated palette of aubergine, forest green, madder, ivory, and dark brown. The design is built from a rhythmic checkerboard of small geometric devices, with serrated ivory bands running vertically through the field and a narrow decorative side border adding balance and movement.

Handsome Baluch Trapping - 11" x 6'4

A richly patterned Baluch rug with a dense, all-over field of octagonal guls, each filled with intricate, angular motifs. The repeating geometry creates a rhythmic, almost textile-like surface, framed by multiple borders with stylized elements that echo the structure of the field.

Woven in the late 19th to early 20th century, the palette is grounded in deep madder reds and soft abrashed browns, offset by dark indigo outlines. The dyes have mellowed beautifully over time, giving the rug a warm, cohesive ton

Antique Baluch Rug - 3'10 x 7'2

A boldly patterned antique Kurdish long rug woven with a striking compartment design. The field is organized into a grid of stepped, octagonal Memling guls, each enclosing a central rosette, rendered in a rich palette of madder red, indigo blue, ivory, soft camel, brown, and green.

The Memling gul, an ancient geometric motif appearing across many Caucasian and Kurdish weaving traditions, gives the rug its powerful visual structure. Here, the repeated guls are framed by an especially lively diagonal-striped

Kurdish Rainbow Runner - 4'5 x 10'3

An antique Quchan Kurdish rug woven with an allover field of small stepped geometric medallions in soft salmon, indigo blue, turquoise, ivory, and warm brown. The closely arranged motifs create a lively, mosaic-like surface, framed by an ivory floral border and narrow geometric guard borders.

Quchan rugs were woven by Kurdish communities in the Khorasan region and are admired for their strong tribal drawing, durable construction, and expressive use of color. This example is especially appealing for its com

Quchan Kurd Rug - 3' x 5'6

A Richly colored tribal rug with a striking double-column format of two tall elongated medallions on a deep indigo ground, each structured around a vertical spine of diamond forms quartered in olive and cream. The m red field between and around them reads almost as a third element, giving the composition an unusual density. Colors throughout are well-preserved with navy, red, ivory, and a muted green that surfaces in the medallion interiors and guard borders.

Kurdish Rug - 4'3 x 6'7

A richly colored antique Kurdish runner with a dramatic dark field and a vertical sequence of stepped diamond medallions. Each medallion contains a bold four-part floral form, set within a field of angular zigzag bands and small hooked motifs in madder red, deep indigo, soft rose, aubergine, and green.

The rug has a strong tribal character, with a narrow format, saturated color, and confident geometric drawing. The repeated diamond medallions create a clear central rhythm, while the surrounding serrated fo

Kurdish Runner - 3' x 8'9

A madder red field densely packed with an all-over diagonal boteh repeat in ivory, navy, gold, teal, and brown forms scattered across the ground in a loose, lively arrangement. The runner reads almost like a textile print at distance and reveals real drawing up close. No two botehs are identical; the color varies row to row, giving the field a warm, animated quality that a more regimented repeat couldn’t achieve.

The main border is a deep navy with a bold reciprocal leaf-and-vine pattern, framed by na

Luri Runner - 3'6 x 10'6

Buyi quilt cover with gridded cotton panels featuring abstract floral, yin-yang, and butterfly motifs in blues, reds, and patterned fabrics, with visible hand stitching and wear.

Buyi Quilt Cover - 2'6 x 3'9

A finely painted bark cloth by the Mbuti people of the Democratic Republic of Congo, dating to the mid 20th century. The cloth is decorated with a dense, rhythmic field of linear motifs, geometric divisions, and abstract forms painted in dark pigment across the warm natural bark fiber ground.

Mbuti bark cloths are closely associated with the Ituri Forest, where the visual language of these works is often understood in relation to the surrounding environment. Rather than being read as fixed symbols in a lit

Mounted Mbuti Bark Cloth - 2' x 2'5

Mbuti bark cloths are known for their expressive painted surfaces, often created with a remarkable sense of rhythm and spontaneity. The designs are frequently associated with the forest environment, translating natural forms, movement, and sound into graphic abstraction.

Hand Painted Bark Cloth, Mbuti People - 1'7 x 2'3

A painted bark cloth attributed to the Ticuna people of the Amazon region, likely from the mid 20th century. The cloth is decorated with a striking figural composition, showing a crowned human figure beside a large bird form, framed by a border of angular geometric motifs.

Ticuna bark cloths are made from beaten inner bark and painted with natural pigments. Unlike the more abstract rhythmic surfaces of Mbuti bark cloths from Central Africa, Ticuna examples often include figural imagery connected to myth, r

Amazon Bark Cloth Painting from the Ticuna People- 1'6 x 1'9

Previous
Page 3 of 4
Next