HEIRLOOM x WILLIAM WHITE

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A restrained and graphic Palestinian thobe from the Beersheba and Negev Bedouin region, distinguished by its dark ground, linear embroidery, and emphasis on structure rather than surface density.

Embroidery is sparingly but decisively applied, focusing on the chest, sleeves, side panels, and hem. Angular zigzags, stepped triangles, and linear motifs are arranged in bold vertical registers, while the chest features a sharply defined V-shaped yoke edged with serrated borders. Decorative stitching along seams

Vintage Negev Palestinian Thobe - 4'3 x 5'3

A commanding Palestinian thobe from the Ramallah–al-Bireh region of the Central Highlands, distinguished by its saturated red embroidery, dense surface coverage, and highly structured geometric composition set against a dark ground.

The embroidery is executed entirely in cross-stitch, forming tightly organized grids of stepped squares, lozenges, and subdivided diamonds across the skirt, sleeves, and shoulders. A deep triangular yoke anchors the chest, beneath which three square motifs are arranged horizont

Pre 1967 Palestinian Thobe - 4'4 x 4'4

A pardeh is used for a variety of purposes including partitioning tents, covering textiles or for special ceremonies and rituals like weddings. They are warp facing and flatwoven in narrow panels which are later stitched together. sivas kurdish pardeh

Antique Kurdish Pardeh - 4'11 x 14'

Mid century Moroccan Boujad kilim featuring various stripes with red, orange, bright pinks, highlighter yellow purples and lime green. Colorful diamonds and other protection symbols are embellished over the top.

Funky Mid Century Boujad - 5'10 x 9

Antique Nakshi Kantha featuring an off-center mandala with three reciprocal panels on top and bottom. The panels feature an elephant, a person on horseback, and what appears to be a rendition of the British hunter motif. It is framed by an alternating rosette and leaf border reminiscent of the classical egg and dart style. At the four corners of the border is a single rosette.

Antique Circus Nakshi Kantha - 1'1 x 1'8

Antique Bengali hand embroidered Nakshi Kantha textile featuring men with sport and elephant atop a hand quilted off-white cotton field with a black diamond border

Antique Circus Nakshi Kantha - 1' x 1'3

19th century Shahsavan silk jajim.This type of weaving was utilized as a bedding cover by nomads or in a village setting. This piece features rich, deeply saturated tones in bands of red, blue, yellow, green, ivory, and brown woven in a very fine silk. Warpface woven in multiple strips that have been sewn together. A collector's piece with exceptional dyes and materiality that is all about COLOR. A powerful piece that would be very impactful hung on the wall.

Antique Shahsavan Silk Jajim - 4’8 x 5’11

A striking example of simplicity elevated to art, this antique Shahsavan kilim reveals the timeless sophistication of stripe-based design. Its alternating bands of madder red, indigo blue, golden ochre, and earthy brown create a bold yet harmonious rhythm across the surface. The restrained palette and unbroken horizontality give the piece a modernist clarity that feels as relevant today as it did over a century ago.

Antique Shahsavan Kilim - 5’ x 8'

This lovely chapan is crafted from crimson striped silk. It is embellished with fine black, white, and yellow embroidery around its perimeter and up the sides. The embroidery is well executed more ornate than is standard for this type. There are three lovely floral forms on the bottom right and left of the jacket that also set it apart. A blue printed liner adds another element of interest.

Turkmen Robe with Detailed Embroidery - 3’5 x 4’5

Blue wool Uzbeki Overcoat

TX216 - Wool Turkmen Overcoat

This Vintage Uzbek Suzani features a central medallion in white, red, yellow, and green atop a faded black ground. Four smaller medallions in yellow and green are in each corner of the piece and the whole is framed by a border. The handmade quality of this textile is apparent in the asymmetrical nature of the embroidery giving the medallions movement and distinct personality.

Vintage Square Suzani - 3'4 x 3'6

This Vintage Uzbek Suzani features six floral medallions in green, red, yellow, and blue atop a faded black ground. There are drawn markings visible where the design was left unfinished in places, highlighting the human hand.

Vintage Vibrant Uzbek Suzani - 4'6 x 5'9

This Suzani was handmade during the early 20th century in Uzbekistan.

This suzani is composed of central floral motif embroidered in silk on an open red cotton field. Flanked by vibrant multi-tiered blossoming flowers to the right and left and framed by a lively floral meander. A multitude of colors are used for the embroidery, including turqoise, green, white, yellow, and purple.

Antique Red Suzani - 3’10 x 5’10

This

"1975" Peacock Suzani - 5'8 x 9'2

Tantric meditation mat in Tibet. It features a man's body which is flayed open with various lines representing different layers of the internal nervous system. It is an expression of the Buddhist pursuit of bodily detachment. Practitioners of Tibetan Vajrayana Buddhism in pursuit of spiritual enlightenment, used in meditation or as a seat of power or authority by advanced practitioners of esoteric Buddhism. The outer border alternates between a head and skull representing the transitoriness of life.

Tantric Tibetan Meditation Mat - 3' x 5'

Quchan Kurdish bedcover from NE Iran featuring two multicolor-stripe panels are sewn together with vibrant silk and wool pompoms, which add texture and depth, as does the embroidery forming the border.

Quchan Kurdish Bedding Cover Kilim - 4'4 x 9'2

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