age : pre 1900 – Page 3 – HEIRLOOM

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This Antique Serapi Rug features the classic Heriz layout with a graphic geometric central medallion. Great quality 19th-century Heriz rugs are often referred to as Serapi. Serapi patterning like what is exhibited here is often looser and freer than most later Heriz rugs. Serapis also have a softer palette and can include some unexpected tones. A soft and balanced palette of soft brick, coral, powder blue, wheat, and coral contrasts well against ivory and deep navy.

Antique Serapi Rug - 10'3 x 13'1

rajasthan It features various naturalistic floral motifs and squares that are made with hand drawn mordant and resist dyed cotton. In various reds and purples with sage, dutch orange and most notably a neon pink. These pieces are referred to as Jajam and often made as part of a dowry. They are used for honored guests or communally as a seat for village council members when making social and judicial decisions.

Antique Block Printed Jajam - 5'9 x 8'5

This Hadji Jalili Hunting Tabriz features a classic hunting motif against a backdrop of scrolling arabesques on a desirable burnt orange ground that is highly characteristic of Hadji Jalili weaving. The arabesque grows from central palmettes sprouting leaves and floral forms while providing a lush landscape for various animals to frolic. The animals are rendered in pairs with the most prominent showcasing lions hunting deer near the bottom.

Hajji Jalili Hunting Tabriz - 4'7 x 6'

Sauj Bulagh woven by Kurds during the early 19th century. Sauj Bulaq, proto-kurdish Mahabad. lustrous wool, saturated tones, blend traditional Kurdish motifs with classical Safavid era. classical

Early 19th Century Sauj Bulag - 4'7 x 8'3

This Karabagh runner was woven in the south Caucasus by Armenians during the late 19th century. It features an all over herati design pattern in blues, greens, reds, pinks, yellow and ivory on a chocolate ground. The ground has oxidized adding dimensionality to the piece. Framed by a inner laleh abbasi border and three outer borders of scrolling rosettes on exceptional blue and yellow grounds.

Antique Karabagh Runner - 3'1 x 13'4

rug woven in the Karabagh region of the South Caucasus during the late 19th century. pattern of energetic palmettes that alternate between icey blue and magenta small rosettes scattered about like a field of colorful wildflowers. Karabagh weaving and achieved with cochineal, an insect derived dye. stepped polygon shaped rosettes in a wild array of tones including oranges, greens, pinks, blues, yellow and brown atop a bright ivory ground

Colorful Talish Runner - 3'4 x 8'9

Classical prayer rug format hybridized with other Caucasian elements and weaving style.

Armenian Prayer Rug - 3' x 5'1

Silk masterpiece was handwoven during the late 20th century at the Mohammedi atelier in Qum, Iran. Vank Cathedral was established in 1606 following the forced relocation of nearly 500,000 Armenians to Isfahan by Shah Abbas during the Persian-Ottoman war. cacophony of colors. Mount Ararat (Մասիս) resting place of Noah's Ark. Woven by Mohammedi of Qum for Vank Church of Isfahan. Mohammedi is a renowned master weaver.

Silk Vank Cathedral Qum - 4'3 x 7'

This Oushak was handwoven during the 19th century in Western Anatolia. This elegant rug features a simple yet dramatic asymmetric design of curling vines, palmettes and abstracted fantastic creatures. A well spaced large scale field patter with a limited palette of a rich royal red and two tones soft blue framed by a thin border.

Antique Oushak Rug - 5' x 7'10

It features a field of red and blue stepped polygons and small brown triangles in various on a bright ivory ground. The ivory field is framed by jagged zigzags around the perimeter and finished with thick bands of blue and red on the sides and ends respectively. May have been made as one side of a saddle bag. A small but impactful piece.

Antique Kuba Kilim - 1'11 x 2'1

This kilim was woven in the Caucasus during the late 19th century. It features a field of stepped polygons and small diamonds in various shades of red and blue on a bright ivory ground. The pattern can be viewed in multiple way and the navy diamonds also form a central diamond. The ivory field is framed by jagged purple zigzags on the sides and polychrome triangles

Antique Kuba Kilim - 1'9 x 2'3

This kilim was woven in the Caucasus during the late 19th century. It features a field of stepped polygons and small diamonds in various shades of red and blue on a bright ivory ground. The pattern can be viewed multiple way and the navy diamonds also form a central diamond. The ivory field is framed by jagged purple zigzags on the sides and polychrome triangles on the top and bottom and finished with thick bands of blue and red. May have been made as one side of a saddle bag. A small but impactful piece.

Antique Kuba Kilim - 1'9 x 2'4

This bag face was woven by the Jaff Kurds of the Northern and Central Zagros mountains in Wester Iran during the late 19th century. It features the classic Jaff interlocking diamond pattern in bright, cheerful colors. It is framed on three sides by a fun and wonky laleh abbasi border in black and red that becomes black triangles on a red ground before shifting back to laleh abbasi but with the colors reversed. The fourth side features red and white circles on an indigo ground.

Antique Jaff Kurd Bagface - 1'10 x 3'6

Antique Mudjur Prayer Rug - 3' x 4'

Antique Mudjur Prayer Rug - 3' x 4'

Antique NW Persian Shahsavan Mafresh fragment featuring a field of well-staggered octagons that float above a midnight blue ground. Each octagon is filled with a latch-hooked protection device in a spectacular range of contrasting but balanced tones of red, green, pink, purple, and blue. It is neatly framed on the top and bottom by thin and tight

Antique Shahsavan Mafrash Fragment - 1’5 x 1’8

Antique Veramin bagface featuring central hooked device on a navy ground filled with various animals and protection symbols. Framed by a wide main border of multicolored eight-pointed stars on an ivory ground which is flanked by two minor borders of multicolored ovals on a soft red ground. It is finished with a slit kilim top and dotted skirt end. Nicely embellished with a salt and pepper weft float on end.

Antique Veramin Trapping - 1’8 x 3’5

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